Turbehتربة

İslam dünyasının türbe atlası

LevhaXXXII/ CIII

Olcaytu Türbesi (Sultaniye Kubbesi)

قبة السلطانيةگنبد سلطانیه Gonbad-e Soltaniyeh

İlhanlı hükümdarı Olcaytu’nun kısa ömürlü başkenti Sultaniye’deki türbesi; yaklaşık 50 metre yüksekliğinde turkuaz bir kubbeyle örtülüdür ve sekiz minareyle çevrilidir1.

Yapım
1302–1312 M.
701–712 H.
UNESCO dates the mausoleum to 1302–1312, but Öljeitü came to power only in 1304, and other sources give about 1304–1313; inscriptions on the building are dated 710 and 713 AH (1310–11 and 1313–14)1,3,6,7.
Dönem
İlhanlılar (İran’da hüküm süren Moğol hanedanı)
Yaptıran
Sultan Olcaytu (Muhammed Hudabende), sekizinci İlhanlı hükümdarı (hd. 1304–1316)
Kimin için
Olcaytu’nun kendisi (ö. 1316); başlangıçta İmam Ali ile İmam Hüseyin’in naaşları için bir türbe olarak tasarlandığına inanılır
Malzeme
Tuğla; kubbede turkuaz mavisi sırlı çini (fayans); içeride sırlı çini, kesme tuğla, kakma, oyma ve boyalı alçı ile duvar resimleri
Kubbe yüksekliği (zeminden)
yaklaşık 50 m1,3,5
Kubbe çapı (içten)
yaklaşık 25 m2,5
Sekizgenin genişliği
yaklaşık 38 m4
Konum
Sultaniye, İran
Olcaytu Türbesi (Sultaniye Kubbesi)
Fotoğraf: Mhsheikholeslami · CC BY-SA 4.0 · Wikimedia Commons

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Tarihçe

Soltaniyeh, in Zanjan province in north-western Iran, began around 1290 as a summer residence of the Ilkhanid ruler Arghun, chosen for its rich pastures and hunting grounds2,3. In 1304 Arghun's son Öljeitü succeeded his brother Ghazan, enlarged the settlement and made it his capital, naming it Soltaniyeh, “the Imperial”2,6. Together with Tabriz, it became a major trading centre on the routes between Asia and Europe2. Its principal monument was Öljeitü's mausoleum, which UNESCO dates to 1302–13121. The tomb stood at the heart of a larger complex of buildings, of which little survives1,5,7.

Öljeitü declared his allegiance to Shi'ism in the winter of 1307–086. He is believed to have planned the building as a shrine for the remains of Imam Ali and Imam Husayn, brought from Iraq; the plan was dropped and it became his own tomb, though some scholars doubt this account2,3,7. He died in 1316 and, according to the historian Hafez-e Abru, was buried in the crypt beneath the burial chamber2,3. The city then declined; in 1384 Timur's army sacked it but spared the mausoleum2. By the 17th century the city was in ruins, but the tomb still stood2. In 1969–1979 a campaign run jointly with an Italian team stabilised the structure, and Iranian conservation work has continued since 19942.

Mimari

The mausoleum is a huge octagon about 38 m across, with a rectangular burial chamber projecting on the south4,7. Its walls, about 7 m thick, carry the dome without buttresses2,3. The dome, about 25 m in diameter inside and some 50 m high, is covered in turquoise-blue faience, and eight slender brick minarets, purely decorative, rise around its base1,2,3. A broad band of square Kufic script around the drum links the light-blue dome with the deep-blue muqarnas cornice below it2,3. Below the cornice runs an outer gallery that does not open into the interior; its vaults carry carved and painted plaster patterns resembling contemporary book illumination3,4.

UNESCO describes the dome as the earliest surviving double-shelled dome in Iran and an important reference for later Islamic domes1. Encyclopaedia Iranica, however, records an earlier masonry double dome at Kharraqan (1067–68) and describes Soltaniyeh's thin shells as reinforced by arches between them5. Its upper galleries, unlike earlier arcades, were easily accessible5. The tomb served as a model for Timur's Gur-e-Amir in Samarkand and, ultimately, for the Taj Mahal in Agra4,5.

İç mekân

The 360° photo is taken in the octagonal hall beneath the dome, which Encyclopaedia Iranica counts among the largest uninterrupted spaces of medieval times4. Each of the eight sides opens through a huge arch, with a two-storey arcade whose upper level forms a balcony overlooking the hall2,3,4. Shallow muqarnas in the angles lead the walls into the circular base of the dome, about 25 m across2. Two phases of decoration can be seen3. The first, of buff brick with blue glazed tile and Kufic inscriptions that include the name of Ali, survives in the large niches and in the spandrels of the arches3. In the second, from about 1313, a dado of light-blue hexagonal tiles was added and the surfaces above, including the dome, were plastered and painted with ornament and inscriptions2,3,7. Much of the interior decoration survives1.

Dikkat çeken ayrıntılar

  1. The turquoise outer dome, some 50 m high, ringed by eight decorative brick minarets1,3
  2. The band of square Kufic script around the drum, above the deep-blue muqarnas cornice2
  3. The outer gallery vaults, covered in carved and painted plaster patterns3,4
  4. Inside, the early brick-and-blue-tile decoration beside the later painted plaster scheme2,3
  5. The rectangular burial chamber on the south side, with a mihrab in its southern wall3,7

Ziyaret

  • The mausoleum stands in the present-day town of Soltaniyeh, Zanjan province, about 240 km from Tehran in north-western Iran2.
  • Around it lie the excavated remains of the Ilkhanid citadel, and other monuments, such as the tomb of Chelebi Oghlu, stand nearby2,3.
  • A permanent team of specialists maintains and conserves the building, so restoration work may be under way during a visit2.

Kaynaklar

  1. UNESCO World Heritage Centre: Soltaniyeh
  2. ICOMOS / UNESCO World Heritage Centre: Advisory Body Evaluation: Soltaniyeh (Iran) No 1188 (2005)
  3. Cultural Heritage Organization of Iran (nomination file, published by UNESCO): The Dome of Soltaniyeh: The Pasture which Became the Capital City of an Empire
  4. Encyclopaedia Iranica (Sheila S. Blair, 2004): IL-KHANIDS ii. Architecture
  5. Encyclopaedia Iranica (Bernard O’Kane; vol. VII, fasc. 5, pp. 479-485): DOMES
  6. Encyclopaedia Iranica (Reuven Amitai, 2004): IL-KHANIDS i. Dynastic History
  7. Leiden University, Iran Turan project (Turks, Texts and Territory): Mausoleum of Sultan Öljeytü (early 14th century)

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